![]() The entire library encompasses over 22,000 samples and more than 3,800 grooves. With more than 20 styles the Percussion Agents covers grooves ranging from disco, funk, pop and R&B to classic percussive standards, such as bolero and bossa nova. Its Style Player combines up to 8 substyles and adjusts the complexity and intensity of each instrument. The Percussion Agent includes percussion instruments the likes of bongos, shakers, tambourine and congas. The Vintage and Turntable modes add the sound perceived in early 12-bit drum machines. ![]() The Drum Classifier detects the different kit components in a loop and allows users to extract, replace and rearrange them. The Beat Agent gets down to intricate beat production, boasting over 100 kits quickly accessible via the MediaBay and the Sample Browser as well as a broad scope of editing capabilities available through the Sample Editor. Once selected, Groove Agent 4 offers a groove with intros, fills and endings and up to 16 variations of the main part that can seamlessly be blended by complexity and intensity. The Style Player provides over 50 contemporary styles to choose from. Armed with a dedicated channel strip sporting EQ, compressor, tape saturation and envelope shaper, the acoustic drum mixer comes with up to 20 microphone channels, six group channels and four aux buses. Each kit includes dedicated controls that adjust the mix of room and overhead microphones, bleeding signals as well as further kit tuning. The Acoustic Agent consists of three drum kits: Studio Kit, Rock Kit and Vintage Kit. Each Agent offers a set of specialized tools essential to the style of drum production in demand, but Agents can also be combined, giving Groove Agent 4 its unique multi-Agent architecture. ![]() Groove Agent 4 features three drum modules, also known as Agents, which trigger a wealth of grooves and samples. The preset rhythms are really very good and can easily be tweaked or new ones built from scratch, and the onboard sound-shaping and processing tools are powerful and useful.Together with its additional capabilities to program patterns easily, mix drum tracks, add studio-grade effects and the perfect incorporation with Steinberg’s award-winning Cubase software, Groove Agent 4 is the ideal tool for composers, producers and musicians. The ability to blend the three Agents makes for great beat creation possibilities, mixing old and new sounds. It’s much more akin to Battery in its approach – multiple sections and deep audio editing – than ever before. Last but not least, a toolbar at the top provides various shortcuts.įeel the Groove This is far and away the most advanced version of Groove Agent. Whole kits can also be processed in the Kit channel, and the Master channel has four further effect slots, so you can process the sound as much as you like. There are also four aux channels available, each with four effect slots and a selection of 30 effects from reverb to compression. This enables grouping and routing with up to 16 outputs, and each channel has access to four dedicated effects: EQ, compressor, tape saturation and an envelope shaper (with configurable controls). There are quick controls in some of the Agent windows for sound shaping and there’s also a proper onboard mixer. The AudioWarp algorithm means that loops adjust their tempo when you change the project speed. There’s also a Style Player that lets you quickly control the complexity and intensity of generated drum parts, and a Jam Mode that creates backing tracks and has a dial to let you choose between intros, fills, main beats and so on. If you go into Edit mode in this section you can alter the pattern control performance parameters and use a fully featured drum lane editor. Right-clicking on a pad reveals further controls such as copy and paste, trigger note assignment and more. Switch from Instrument to Pattern mode and pads become loop or pattern triggers, and clicking each one plays a tempo-synced rhythm that can be tweaked or edited. You even get to use MIDI effects and create slices from samples, which are auto-mapped to the pads. These, plus any library samples, can be edited in great detail via the onboard sample editor that appears to be based on Cubase’s own sample editing section.Īs well as the ability to trim, tune and pan samples there are advanced envelope sections for pitch, filter and amp, and detailed editing tools in the Sample tab. As well as the MediaBay browser there’s a regular file explorer for locating content and you can drag-and-drop audio files from the desktop directly onto pads. For each Agent you can choose from a huge number of presets and filter your list by style, genre, rating or even just enter text to search.
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